The link to the song: http://www.youtube.com/watch?v=IzkAwCs5bnI
This song is in the key of A minor. It has (excluding the intro) the form AA'ABBAC.
(The A' is referring to the fact that the second A-section is incomplete.)
The A-section is comprised of a verse followed by an instrumental interlude. It repeats three times and reoccurs later in the song.
The verses have the following chord progression:
C* Am G F# F F# D G C G/B A
III i VII VI IV VII III VII I
* Technically a Cmaj7.
III i VII VI IV VII III VII I
* Technically a Cmaj7.
The intstrumental interludes between the verses have almost the same chord progression except shorter:
Am G F# F F#
i VII VI
i VII VI
The three A-sections end with a prolonged Cmaj7 chord, and then the song directly transitions to the B-section.
The B-section is composed of the following chords.
Bb A* Bb A* E F C E D C D C G/B A
II I II I V VI III V IV III IV III VII I
* These chords are technically Amaj9, but are referred to as A to keep things simple.
II I II I V VI III V IV III IV III VII I
* These chords are technically Amaj9, but are referred to as A to keep things simple.
The B section repeats twice with a small string interlude in between.
Finally, the C section includes a shift between the parallel major and minor.
Am A
i I
This major-minor shift repeats until the song fades out (20 times to be precise).
Finally, the C section includes a shift between the parallel major and minor.
Am A
i I
This major-minor shift repeats until the song fades out (20 times to be precise).
Nice! It centers around A, but clearly borrows from a bunch of different modes and chromatic relationships.
ReplyDeleteThe use of common tones between chromatic chords seems to help bridge some of these strange progressions.
Never heard this song, but I'm glad I did!