Wednesday, October 16, 2013

Chord Progression in "The Red Telephone" by Love

The song "The Red Telephone" exhibits an interesting chromatic chord progression.

The link to the song: http://www.youtube.com/watch?v=IzkAwCs5bnI

This song is in the key of A minor. It has (excluding the intro) the form AA'ABBAC.

(The A' is referring to the fact that the second A-section is incomplete.)

The A-section is comprised of a verse followed by an instrumental interlude. It repeats three times and reoccurs later in the song.

The verses have the following chord progression:

C*            Am    G     F#     F  F#  D  G    C    G/B  A
III             i         VII   VI               IV VII  III   VII      I

* Technically a Cmaj7.

The intstrumental interludes between the verses have almost the same chord progression except shorter:

Am G     F#     F F#
i      VII  VI

The three A-sections end with a prolonged Cmaj7 chord, and then the song directly transitions to the B-section.

The B-section is composed of the following chords.

Bb      A*      Bb     A*     E     F      C      E    D    C    D    C     G/B  A
II         I          II       I        V     VI    III     V   IV   III   IV   III    VII   I

* These chords are technically Amaj9, but are referred to as A to keep things simple.

The B section repeats twice with a small string interlude in between.

Finally, the C section includes a shift between the parallel major and minor.

Am         A
i              I

This major-minor shift repeats until the song fades out (20 times to be precise).

1 comment:

  1. Nice! It centers around A, but clearly borrows from a bunch of different modes and chromatic relationships.

    The use of common tones between chromatic chords seems to help bridge some of these strange progressions.

    Never heard this song, but I'm glad I did!

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