The piano accompaniment of this Schubert lied starts out simple and relatively flat with few dynamic changes. It shifts between major and minor tonalities with many modulations. The tempo also changes relatively frequently. Chromatic motion is employed both chordally (iv-I cadences) and melodically (chromatic runs in the right hand). Embellishments such as grace notes are used. Later on in the piece, changes in dynamics are more pronounced in the piano part.
The purpose of the piano accompaniment in this Schubert lied is clear: The piano accompaniment provides a canvas populated with notes over which the singer can project a smooth melodic line.
